One-piece swimsuit for women

One-piece swimsuit for women

Scanned and textured full swimsuit for woman, with features optimized for digital marketing.

Below you can see a 360º interactive presentation of a full woman swimsuit. Polygonal mesh and applied textures are optimized to compose a lightweight file so that it can be used in an online marketplace or any Augmented Reality or similar application. It can be downloaded quickly to any device, whether computer, tablet or mobile.

These types of interactive presentations can be easily added to any web page and are another element to consider for digital marketing.

3D scanning can be a useful tool for the world of digital marketing for companies in many ways and improve the customer experience. Some forms could be:

Product visualization: 3D scanning can help create 3D models of the products that companies offer. This allows customers to see products from different angles and scales, which can help increase sales.

Advertising and promotion: 3D scanning can also be useful for creating advertising and promotional images. Companies can use 3D images to create printed or digital ads, or even advertising videos.

Online content creation: it can be useful for creating online content, such as images and videos or interactive 360º presentations for websites, social networks, etc. 3D content is more attractive and interactive, which can help keep customers’ attention.

Product customization: It can also help to customize products for customers. Companies can scan customers or objects that customers want to customize and create 3D models that customers can customize through online tools.

Once the 3D presentation starts, maximize
it to full screen to observe the 360º detail

Its technical data are:
Outer part of the swimsuit: number of polygons: 43,230 – number of vertices: 22,453
Inner part of the swimsuit: number of polygons: 42,389 – number of vertices: 21,612
PBR format textures, to offer photo-realistic presence from any application or 3D edition software.

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Sport shoes

Sport shoes

Scanned and textured sports shoes, optimized for digital marketing.

Below you can see the 360º interactive presentation of a sports shoe. The polygonal mesh and the applied textures are optimized to compose a file that does not weigh much, so that it can be used in an online marketplace or any Augmented Reality application or similar. It is downloaded quickly on any device, whether it is a computer, tablet or mobile.

These types of interactive presentations can be easily added to any web page and are another element to consider for digital marketing.

Its technical data are:
Number of polygons: 49,854
Number of vertices: 24,929
Textures in PBR format, to offer a photorealistic presence from any application or software for 3D editing.

Once the 3D presentation starts, maximize
it to full screen to observe the 360º detail

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Jeans

Jeans

Scanned and textured trousers, with features optimized for digital marketing.

Below you can see a 360º interactive presentation of jeans. Polygonal mesh and applied textures are optimized to compose a lightweight file so that it can be used in an online marketplace or any Augmented Reality or similar application. It can be downloaded quickly to any device, whether computer, tablet or mobile.

These types of interactive presentations can be easily added to any web page and are another element to consider for digital marketing.

Its technical data are:
Number of polygons: 30,096
Number of vertices: 15,246
PBR format textures, to offer photo-realistic presence from any application or 3D edition software.

Once the 3D presentation starts, maximize
it to full screen to observe the 360º detail

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Nike sport shoes

Nike sport shoes

Scanned and textured sports shoes, optimized for digital marketing.

Below you can see the 360º interactive presentation of a sports shoe. The polygonal mesh and the applied textures are optimized to compose a file that does not weigh much, so that it can be used in an online marketplace or any Augmented Reality application or similar. It is downloaded quickly on any device, whether it is a computer, tablet or mobile.

These types of interactive presentations can be easily added to any web page and are another element to consider for digital marketing.

Its technical data are:
Number of polygons: 60,648
Number of vertices: 30,310
Textures in PBR format, to offer a photorealistic presence from any application or software for 3D editing.

Once the 3D presentation starts, maximize
it to full screen to observe the 360º detail

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Clay jar and stand S-XIII in Lleida.

Clay jar and stand S-XIII in Lleida.

Andalusian ceramic jar and its support – 13th century.

In the past year 2020, Scan3D collaborated with the Archaeology Laboratory of the University of Lleida (UdL), through the Paeria de Lleida, in the digitization of an Andalusian ceramic jar and its 13th-century support found in significant archaeological excavations in the La Cuirassa neighborhood of the city of Lleida. These excavations were carried out between 2015 and 2017. We traveled to the University for this project.

The project involved 56 fragments of an Andalusian ceramic jar from the Almohad period, specifically from the 13th century, and the unique supporting structure that held it, of which no other with the same characteristics is known to exist on the Iberian Peninsula.

The digitization project required the use of a 3D scanner (which is why they contacted Scan3D), as it was essential to ensure that the measurements of the jar fragments matched the originals precisely for the purpose of three-dimensional reconstruction. In this case, digital photogrammetry couldn’t be used as the results with this technique were not entirely precise. For this project, we used a high-resolution structured light 3D scanner from Artec.

The process was overseen by the Municipal Archaeologist of the Paeria de Lleida, Xavier Payà, and the archaeologist Joan Eusebi Garcia Biosca. Due to their fragility and significance, the pieces were handled at all times by Carme Prats and Maria Trigo, responsible for the Archaeology Laboratory of the University of Lleida (UdL), who carried out the meticulous and excellent restoration work on the mentioned pieces.”

The urbanization works carried out in the old Seminary district between the spring of 2015 and the summer of 2017, covering an area of over 6000 square meters, allowed for the recovery of significant remains of a prosperous house from the 14th century (named the Pogromo House). This house was set on fire by the Christians living in Lleida at that time with the aim of expelling the Jews who resided in the vicinity of the Jewish La Cuirassa neighborhood of the capital of Segrià (inhabited by the Jewish community of Lleida between the 12th and 15th centuries) on August 13, 1391, and has brought to light several relics. These findings constitute an archaeological site with unique pieces on the Iberian Peninsula.

Among the various pieces that were restored and preserved, the discovery of a jar supported by a base stands out, of which no other as intact is known. Among the objects found so far, there are defensive weapons (a sword, a short hand weapon, and an iron axe), iron oil lamps, fragments of candlesticks, two copper pans, ceramic pieces (some decorated in green and manganese), remnants of textiles, and pieces of wood belonging to the house’s furniture, in addition to a spectacular find, as the archaeologists assert.

The jar (consisting of 56 fragments) is adorned with motifs typical of Muslim iconography (the tree of life, protective gazelles, arches, etc.) and could have been manufactured in the 13th century by master potters from the Almohad kingdom of Murcia and Granada. The state of preservation of the piece made it challenging to restore its volume, according to Carme Prats.

Details of the support and the jar recovered inside the room. (Photos: Xavier Payà)

Once the 3D presentation has started,
maximize to full screen to observe the 360º detail.


“The support, the jar, and the washbasin.

Beneath the weapons, almost fully intact, was the support in the form of an architectural model for a jar. On the front, a reproduction of the facade of an Andalusian courtyard with two entrances to the main hall is depicted. It is preceded by a portico with three arches supported by columns, where the central one, of larger dimensions, is latticed, and the lateral ones are lobed.

The facade is adorned with pairs of small applied animals and a lion in the center under which is the drainage hole for the water dripped by the jar that was above the support. To emphasize the decoration, the potter applied dark green glass to all the elements that protrude from the facade (arches, columns, and applied figures), decorating the background with stamped rosettes, holes, and incised lines scattered across the entire surface, also found on the feet, edges, and side walls where the windows are located.

This is a piece with thick walls and less refined clay that supported the weight of a jar filled with water, which could hold between 50 and 70 liters, reinforced with internal ribs that act as buttresses and strengthen the jar’s support base. It is a product of the Almohad period manufactured in workshops located in the city of Murcia (MARTINEZ, PONZE, 1998) during the first half of the 13th century and is currently the first support of this kind with a tripartite facade (NAVARRO, 1987, 24 and 44-45, fig.19, NAVARRO, JIMÉNEZ, 1995, 290) found intact on the Iberian Peninsula.

Next to the support, the jar appeared, in this case, broken into many fragments and flattened by the partition walls of the first floor. The strong impact from the fall scattered the fragments until they reached the south closure wall of the room, which was the facade of the street below and, as it was replaced by another one in modern times, resulted in the loss of 30% of the volume of the jar, the base, part of the body, and half of the neck and rim.

It is a completely decorated piece (rim, neck, and belly) with stamped and incised motifs on a thin layer of refined clay, about 3 or 4 millimeters thick (MARTÍNEZ, MARTÍNEZ, 2009: 62, pl. 5), applied on white and yellowish, porous, undercooked pastes with thick additives. The decoration is divided into six registers separated by lines of stamped rosettes. Inside these bands, there are facing gazelles and profiled birds between lobed arches and columns, trees or palm trees protected by gazelles, geometric motifs in the shape of crosses on a background of spirals, and others filled with drops or tears.

You can also see some small random holes that penetrate the primer layer, as found in other jars discovered in Elda (Alicante) (FRANCO, CONSTÁN, 2016, p. 50, fig. 23) and Jumella (Murcia) (HERNÁNDEZ, SIMÓN, 2016, p.68, fig. 3.3), described as part of the decoration. We believe that the purpose of these holes was to facilitate transpiration by bringing the exterior into contact with the jar’s paste, which was slightly impermeabilized by the engobe that supported the decoration. Due to the contrast between the external and internal temperatures, some of the water contained inside would condense on the walls and drip down to the base of the support (SÁNCHEZ, PÉREZ, 2013, p. 2-3), from where it would exit through that small hole located beneath the lion.

There has been much debate about the iconography represented in the decoration of these jars and their significance, attributing a prophylactic function to them, as in the Andalusian world, it was believed that evil spirits hid inside these containers (SÁNCHEZ, PÉREZ, 2013, p. 8; NAVARRO, JIMÉNEZ, 2002, p. 147). Recently, new interpretations have been put forward, suggesting that it goes beyond protecting water, serving as a true visual metaphor for the Garden of Paradise (AMORES, 2016, p. 74).

The third piece that was part of the triad is the washbasin that collected the water spilled by the support. It is the worst preserved, and at the time of the fire, it was in a storage room. Only a few fragments had been preserved, but we were able to reconstruct the entire profile, confirming that it is a piece manufactured by the artisans and potters who also produced the jar and the support.

The jar, the support, and the washbasin formed a triad with a dual functionality: as decorative prestige elements, located in the corners of courtyards or inside the main rooms of Andalusian houses, and as true coolers, much like water pitchers in the summer, always moist on the outside with cool water inside. It’s worth noting that these were containers used for the water required for ablutions before prayer and for drinking inside the homes.

When this piece was caught in the fire, it was a true antique that was over 150 years old and had been restored with six lead staples that reconnected the neck with the body. In other parts of the house, we recovered several fragments of these productions, which allowed us to account for two more jars and a fragment of vertical walls, possibly the remains of another support or washbasin. Therefore, the household could have been made up of two more such triads.

In the case of the supports, these were custom-made pieces by local potters to decorate the prosperous houses of the Almohad period, as their recovery in archaeological contexts is very limited to Murcia, Écija, and Lorca. Therefore, without excluding the possibility that they were acquired through the trade contacts accessible to the house owner, it doesn’t seem far-fetched to consider the possibility that they were part of the belongings of a Jewish family originally from southern Spain, perhaps from the city of Murcia, who relocated to La Cuirassa in Lleida in the mid-13th century.”

Descriptive text of the most important pieces recovered, prepared by the Municipal Archaeologist of the Paeria de Lleida, Xavier Payà.


Excerpt from the Annual Report of the Activity of the SCT-Archaeology Laboratory of the University of Lleida during the year 2020 – Maria Trigo:

“… As for the large jar and the Andalusian-style architectural model support found within the burnt house in La Cuirassa, we can say that a 3D reproduction of this unique ensemble has been successfully achieved. The architectural model support had already been restored in 2017, and the numerous fragments of the jar were individually cleaned throughout 2018. This digital reproduction has enabled the virtual assembly of the entire jar.

Unfortunately, this is something that cannot be accomplished manually due to the fragility and deformation present in each of the fragments. The results obtained, aside from showcasing the beauty and form of this large vessel, will be of great utility in finding the best way to make the exhibition of this remarkable object possible.

This work was made possible thanks to Lluís Casademunt from the company Scan3D, and the archaeologist Joan Eusebi Garcia Biosca. Lluís was responsible for the scanning of both the support and each individual fragment of the jar, and subsequently, Joan digitally fitted all the jar fragments together to restore the original shape (see figure 4).”

Figure 4. Restored front view of the jar found in the Jewish Call house of Lleida, thanks to 3D technology (photo: Joan Eusebi Garcia Biosca. Scanning: Scan3D)
Fragments of the jar

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3D scanning of small objects

3D scanning of small objects

3D scanning for small objects.

The smallest objects can be scanned with millimetric precision, reproducing all the details of form and texture.

Today we have the capability to digitally replicate practically any object, no matter its composition. We can recreate a wide variety of things existing in our surroundings – some tangible and distinct, such as a suitcase, a bicycle, or an Etruscan vase, while others are less concrete and more abstract, like liquids, nebulae, or movements.

These objects and phenomena can be studied and observed both physically and in virtual settings. Thanks to accurate digitisation, we can conduct these observations and studies using any connected device.

Typically, most available 3D scanners are incapable of attaining the level of precision requisite to capture the tiniest intricacies of small objects, commonly within a few millimetres. Nevertheless, Scan3D‘s high-performance 3D scans permit us to construct precise virtual replicas of articles, regardless of their size and texture. At Scan3D, we operate with an accuracy of 0.05mm and a 3D mesh detail resolution of 0.1mm.

These are a few examples of small objects that we have scanned in Scan3D. We have created interactive RealTime 360º presentations for these objects, which enables viewers to scrutinize their topology (the type, arrangement, and number of polygons) and their incredibly realistic texture from all angles.

We have improved the 3D meshes of these objects to match with RealTime 3D apps that need low polygon volume and PBR textures (Physically based rendering). These 3D shapes work with many 3D editing programs, and also work for VR and AR experiences.

You can view each item by clicking on its corresponding image. In each case, we provide the item’s exact measurements, which we obtained directly from the scanning process.

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Reconstruction with 3D scanner of discontinued spare part.

Reconstruction with 3D scanner of discontinued spare part.

Reconstruction with 3D scanner of discontinued spare part.

A project to regenerate a discontinued spare, with a combination of scanned and 3D printing, and with the possibility of modifying what you want.

This boat, a semi-rigid inflatable of 4.5m in length and several years above, did not have methacrylate windshield or stainless steel tube protection around it. The owner of the boat tried to get it without success, it was already discontinued and it was impossible to find it, new or used.

He contacted Scan3DCat to find a solution with our 3D scanning service. And we started to develop it, with his collaboration.

The project would consist of scanning the console on the boat to have the exact shape and measurements. In our study we model the necessary parts (screen and stainless steel tube) with 3D editing software,  and with a very high precision (0.1mm).
The stainless tube was drawn in 3D, dimensioned CAD drawings were drawn and a company specialized in tube bending was asked to prepare it with a 22mm diameter stainless steel tube (AISI 316) (one of the standard nautical measurements for railings and handrails), according to the specified measures.

Subsequently, we modeled a “mold” of the screen in negative (the inside) to 3D print with ABS resins (acrylonitrile butadiene styrene), to be able to couple on top of this mold, heating with hot air a 3mm thick methacrylate plate with the flat shape, already laser cutted. ABS printing material withstands more stress and more temperature than PLA (polylactic acid), which is the most common in 3D printing.
There was the possibility of printing it on other more resistant materials, such as metallic ones, but this time it was enough ABS resin.
The mold material should be resistant, at least, at a temperature of 120 ° C. The methacrylate loses its stiffness from 100-110ºC and it was intended to bend it with hot air at this temperature above the mold. ABS would resist it.

Working on the 3D model of the console with 3D editing software, we extracted the flat 2D (extended) form of the future screen, in CAD format.
A new plate of 1000x600x3mm of tobacco colored methacrylate was passed through the laser cut, introducing into the cutting machine the previous CAD file. The finish of the cut edges is perfect.

Once the methacrylate shape was cut, this as a template was used to draw and cut the same shape on a thick paper (more than 200gr / m2 or cardboard) so that the roughness of the mold does not influence when heating and molding the methacrylate . This roughness is due to a 3D printing of the mold with less resolution to speed up the printing time and, therefore, costs.

The molding was a success. Only just had to attach and screw in the usual way, with stainless steel screws and washers.
Subsequently, the designed stainless steel protection/clamping tube is also attached to the console, with the appropriate supports (AISI 316) purchased in specialized stores.

At Scan3DCat we have the digital files used in this project for this particular console model, both 3D meshes and 2D and CAD drawings. If any company/individual is interested in them, we are at your disposal.
We can also start a new project with any other console model.

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Dahon folding e-bike.

Dahon folding e-bike.

Dahon folding e-bike.

3D model resulting from the digitization in high definition of a folding e-bike, with hyper-realistic textures.

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Replica of an object, through 3D scanning and printing.

Replica of an object, through 3D scanning and printing.

Replica of an object, through 3D scanning and printing.

Have you created an object with your hands and would like to reproduce it?
Don’t find on the market the spare of the broken piece for your historical vehicle, boat or appliance?…

3D printing is an incredible technology that allows you to create three-dimensional physical objects from digital designs. It’s like bringing your ideas to life and creating things you can touch and feel.

Imagine you have a regular printer that can print on paper, but instead of ink, it uses special materials like plastic or metal to build a solid object layer by layer in three dimensions. Instead of printing on a single plane like a sheet of paper, the 3D printer adds layers upon layers until the object is fully formed.

To do this, you first need a digital design of the object you want to print. You can scan your favorite object in 3D, create a design using specialized 3D modeling software, or download pre-made designs from the internet. Once you have the design, you load it into the 3D printer, choose the material you want to use, and start the process.

During printing, the machine starts depositing the material layer by layer, following the digital design you provided. The final result is a solid and tangible object that you can hold in your hands.

In a generic 3D printer (e.g., FDM), you have a special carriage (extrusion head) that moves in two directions: back and forth (X-axis) and left to right (Y-axis). Then, you have a base (platform) that moves up and down (Z-axis).

Now, imagine you’re printing a 3D cube. The printer would start at the base with the first layer. Then, the carriage would move in the X and Y directions to deposit material and form a square on the base. This would be the first layer of the cube.

Once the first layer is completed, the platform moves slightly up (or down, depending on the type of 3D printing technology), allowing the printer to start working on the second layer. Again, the carriage moves in the X and Y directions to add material and form a new square. Now, we have two overlaid layers.

This process is repeated layer after layer until the cube is fully formed. The more layers the object has, the more detailed and complex it will be.

The number of polygons a 3D model needs to be printed depends on various factors such as the size and complexity of the object, as well as the type of 3D printer being used for printing. Generally, most 3D printers can print models with a resolution of up to 100 micrometers. This means the model should have enough polygons for its shape to be recognizable and sharp at this scale. As a rule of thumb, 3D models should have at least 100,000 polygons for quality 3D printing.

However, it’s also important to consider the size of the file. If the model has too many polygons, it may become too large and difficult to manipulate. In this case, it’s recommended to simplify the model by reducing the number of polygons to maintain the resolution but decrease the file size.

Most modern 3D printers work with triangles, so 3D models for printing are converted into a network of triangles. This is because triangles are easier to process for the 3D printer as they can be subdivided into smaller triangles to achieve the desired resolution.

This doesn’t mean that quads (four-sided polygons) cannot be used for creating 3D models for 3D printing. In fact, many 3D design programs allow for working with quads, and models created with quads can be converted into triangles for 3D printing. However, it’s recommended to create 3D models using triangles directly to ensure better compatibility with 3D printers.

The 3D printing speed varies depending on several factors, such as the 3D printer model, the type of material being used, the complexity of the model, the selected layer height, and other configuration settings.

In general, most 3D printers for domestic and commercial use print at a speed of 30-120 mm/s. More advanced and larger 3D printers can print at higher speeds, but this can affect the print quality, resolution, and reliability.

Printing at a higher speed can result in a faster print, but it can also generate more vibrations and inaccuracies that may affect the print quality. On the other hand, printing at a slower speed may be slower, but generally offers better quality and more accuracy.

And what about color? 3D printing in color is an increasingly accessible technology. There are several ways to produce 3D models in color, and the most common is to use a 3D printer equipped with multiple extruders that can print in different colors.

In this case, the 3D model is broken down into different files, one for each color, and the 3D printer prints each color separately on its corresponding extruder. The 3D printer moves between different regions of the model to print each color where it’s needed. This allows the creation of 3D models with different shades and textures.

There are also other technologies that allow 3D printing in color, such as ink 3D printing or light 3D printing. These methods use different techniques for color printing, such as injecting ink into layers of powder, solidifying photosensitive materials in different colors, or projecting light at different wavelengths to create different colors.

The thickness of each layer is another important aspect. It’s like the height of each level of the cube. If you choose a smaller layer thickness, for example, 0.1 mm, the layers will be thinner, and the final object will be smoother and more detailed. If you choose a larger layer thickness, like 0.3 mm, the layers will be thicker, and the final object will have fewer details, but the printing will be faster.

The choice of layer thickness is important depending on the type of object you want to print. For objects that require high precision, such as detailed figures or mechanical parts, thinner layers are used. For larger and less detailed objects, thicker layers can be used to speed up the printing process.

3D printing has many applications, from creating spare parts and prototypes for industries to making toys, jewelry, custom action figures, or even medical prosthetics. It’s also a valuable tool for education, as it allows exploring design, engineering, and creativity concepts.

There are several technologies used in 3D printing, each with its specific characteristics and applications.

Here are some of the most common ones:

Fused Deposition Modeling (FDM) / Fused Filament Fabrication (FFF): This is one of the most popular and accessible technologies. It uses melted plastic filaments (such as PLA or ABS) that are extruded layer by layer to build the object.

Stereolithography (SLA): It uses an ultraviolet laser to solidify successive layers of photosensitive liquid resin, creating models with high precision and fine details.

Selective Laser Sintering (SLS): It uses a laser to fuse layers of materials like nylon, polyamide, or metal, creating durable and complex objects.

Digital Light Processing (DLP): Similar to SLA, but instead of a laser, it uses digital projectors to cure photosensitive resin in layers.

Selective Laser Melting (SLM) / Electron Beam Melting (EBM): These technologies are used for 3D metal printing. They use a laser or an electron beam to melt and fuse metal powder layer by layer.

PolyJet: It uses print heads to deposit drops of liquid material that solidify with ultraviolet light, allowing printing objects in full color and high precision.

Binder Jetting: It uses a chemical binder to bind layers of metal, ceramic, or sand, creating objects with details and textures.

Laminated Object Manufacturing (LOM): It uses layers of laminated materials, such as paper or plastic, that are cut and joined to form the object.

Material Jetting: Similar to PolyJet, but it uses print heads that deposit liquid material that solidifies with ultraviolet light or heat.

Continuous Liquid Interface Production (CLIP): A technology similar to SLA that uses a permeable oxygen “window” to solidify liquid resin instead of using layers.

It’s important to note that 3D printing technology is constantly evolving, and new technologies are emerging regularly. Each of these technologies has its advantages and disadvantages and is selected based on the specific requirements of each project.

In 3D printing, there is a wide variety of materials available, ranging from rigid to flexible and elastic, as well as others . The choice of material depends on the type of object you want to print and its specific characteristics.

Technically feasible materials:

Plastics: Plastics are the most common material for 3D printing and include PLA, ABS, PETG, Nylon, among others.

Metals: 3D printing of metals such as aluminium, stainless steel, titanium or copper is becoming an increasingly popular option.

Resins: Photopolymeric resins are materials that are solidified by UV light. These resins can be used to create detailed and high resolution objects.

Wood: Can be printed with real wood, recycled wood and wood-like materials, which offer a look and texture similar to this material.

Food: Yes, 3D printing is also used to create food, such as chocolate, pasta or even pizzas.

Other materials: Other materials that can be used for 3D printing include paper, rubber, concrete and wax.

Rigid materials (plastics and resins):

PLA (polylactic acid): One of the most common and easy-to-use materials. It is biodegradable, non-toxic, and offers good strength and rigidity.

ABS (acrylonitrile butadiene styrene): A durable and strong material suitable for applications requiring higher impact resistance and higher temperatures than PLA.

Nylon: Offers high strength and durability, with a slightly flexible surface. It is used in applications that require resistant mechanical parts.

Flexible and elastic materials:

TPU (thermoplastic polyurethane): An elastic and flexible material, ideal for printing objects that need some flexibility and wear resistance, such as phone cases or shoe soles.

TPE (thermoplastic elastomer): Similar to TPU, it is an elastic and flexible material used for printing objects with rubber-like properties, such as gaskets or seals.

In addition to these, there are also specialized materials, such as flexible resins in SLA or SLS printers, which allow a greater variety of properties and applications.

If you are 3D printing the model yourself, it is important to verify the material compatibility with your 3D printer, as not all printers can work with all materials. Some printers may require adjustments or modifications to work with flexible materials due to their unique extrusion or curing characteristics.

In 3D printing, you can also work with a wide variety of metals, which has opened up many opportunities for advanced and customized manufacturing.

3D metal printing has revolutionized various industries, as it allows the production of complex parts with custom geometries that were difficult or even impossible to achieve with traditional manufacturing methods.

It’s important to consider that 3D metal printing is usually carried out using more advanced and costly technologies, such as Selective Laser Melting (SLM) or Electron Beam Melting (EBM). These processes use a laser or electron beam to melt and fuse metal powder layer by layer to obtain solid and durable objects.

Some of the most common metals used in 3D printing are:

Aluminum: A lightweight and resistant metal used in a variety of applications, from aerospace components to automobile parts.

Stainless Steel: A material widely used in 3D printing due to its strength and durability. It is used in applications that require high corrosion resistance and high temperatures.

Titanium: A very lightweight and strong metal used in aerospace, medical, and industrial applications.

Nickel: Used in applications requiring resistance to high temperatures and corrosion, such as in the aerospace and energy industries.

Cobalt-Chromium: A material used in medical applications, such as for implants and prosthetics, due to its biocompatibility.

Alloys of aluminum, titanium, or nickel: There are various alloys of these metals used to print parts with specific properties.

Bronze: Used to create decorative objects or parts with fine details.

Copper: Used in electrical and electronic applications, as well as in jewelry.

Gold and Silver: Used in the jewelry industry and specialized applications.

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